This organically shaped furniture sculpture can be used on four levels.
Verner panton living tower.
Living tower in production living landscapes were one of the major themes of sixties design.
The organically shaped living tower furniture sculpture by verner panton can be used on four different levels.
Over six feet high the upholstered seating tower has a stable understructure made of birch plywood.
It is an extraordinarily comfortable and inspiring place in which to interact.
Collection vitra design museum.
Vitra the swiss interior design company is manufacturing the luxury kind of cabin with four sitting positions.
Living towers is home to a 4 400 square foot state of the art greenhouse that produces beyond organic lettuces herbs and vegetables.
With its organic forms this furniture sculpture can be used on four different levels.
The organically shaped living tower furniture sculpture by verner panton can be used on four different levels.
Living landscapes was a major theme in 1960 s design.
The living tower one of verner panton s most spectacular seating objects is perfect for loungy living rooms trendy bars and children s rooms de luxe.
The living tower makes use of the three dimensionality of space.
Upholstered foam and birch plywood living tower by verner panton for vitra 1970.
Over two metres high the appealingly upholstered seating tower has a stable frame made of birch plywood.
Verner panton who was constantly searching for new ideas for the home made a variety of especially interesting and original contributions to this theme championing more comfort more of an experience and more color.
Living foods for living people.
The cleverly arranged interior niches can be used in sitting and reclined positions encouraging communication and relaxation.
Living landscapes were one of the major themes of sixties design.
His living tower uses all three dimensions of a room.
Over two metres high the appealingly upholstered seating tower has a stable frame made of birch plywood.
The irony of being celebrated as an icon of contemporary design would not be lost on verner panton two decades have passed since the danish designer s death but as we dive head first into a world of political and economic unrest the desire to break social convention that defined his work in the 1960s and 70s is as enticing now as it was then.
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